five concerts in small venues within the. The film intersperses interview segments with footage of Son Seals in performance, during which he drives his band through excerpts from 12 of his best-known numbers (two-thirds of which were his own compositions, including the celebrated instrumental Hot Sauce, with which he habitually closed his. Around the same time Geordie Skuffle visited the orchestra of the iconic seventies show "Fame" where he encountered the future Skuffle Box Skuffle, Shan Chana. She takes this a stage further here, with her own distinctive interpretative style providing the unifying factor. The disc's 14 tracks draw almost exclusively from the ageless tradition, with typically robust, highly accomplished and deeply thoughtful renditions of material predominantly sourced from the Penguin Book Of English Folksongs. The playing, as I said, is distinctively classy (I'd specially single out Katy's uniquely vocalised soaring fiddle lines and Chris's ripely inventive bass work and the singing never less than piquant and arresting. He achieves a good rapport with his audience (as the four live tracks on the CD amply demonstrate) through his straightforward communication of the shared life-experiences with which we can all empathise. Eli's Blues is an electric 12 bar with gritty slide and the instrumental Coldwater Canyon is played at breakneck speed with scorching guitar.
Here Miranda has tended to modify the stylistic eclecticism of Don't Look Down into a more unified mood, an ideal late-night listening experience you might feel, but still characterised by her uncannily sensitive and mature vocalising and her equally sensitive signature double-bass playing. And Shakin' Stevens' Fire sounds rather as though it's been transferred from an off-centre pressing. These songs, all but one (the beautiful John Connery ballad The Road To Aughnacloy) having been penned by the famed activist, singer and musician Tommy Sands over the course of several decades, are here performed by Tommy himself, with (inevitably) contributions from fellow Sands Family. And another highlight for me is Alyth's singing (here in English and in quite a pop-inflected styling the purity and intensity of which provides an unusual foil for the programmed beats and swooning guitar figures that leap in and out of the texture of the. Les's early naval career is recalled with the opening track, Rum Not Ale, a chorus song which pokes light fun at the withdrawal of the traditional tot of rum, also with the one song on the CD where the words are not Les's own: Ron. Things are a touch more optimistic on the wintry Blue Skies Fall, another metronomic melody but with notes of joy in the harmonies, before, marking the third appearance of the colour in a song title, Feeling Is Turning Blue talks of extinguished lights and lost. For this is a triumph of a record: a wonderfully affectionate album, full of supremely engaging and enchanting songs and performances.
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Completists will have to have it and to be fair there's a handful of tracks I'll play again, but I think it's time I realised that I want to keep my memories as intact as my Omaha Rainbows. It's theatre allied to the white heat generated by a real kartchner caverns discount code rock band and it is infectious. Microsoft Windows 8, Windows.1 and Windows 8 Pro (32-bit and 64-bit). There are plenty of subtler shadings involved. The whole thing ends in a West Coast-styled guitar fest over three chords. On the other hand, echoes of Vashti Bunyan, Eddi Reader, Charlie Dore and maybe a little Loretta among the other comparisons that might include Beverley Craven, Julia Fordham and Martina Topley-Bird. That's the only blemish on what is otherwise a fabulous record of a special occasion. Songs of love and loss, songs sung with feeling - a fine package, and the added extra of ' Moon River which is sublime. for each successive song is outstanding, making you catch your breath anew. No rough edges anywhere, with spot-on sound and production, Show of Hands make beautiful music. Not to mention the ingenuity of the at times uncannily simple instrumental arrangements (special mention for the ghostly drone-enhanced concertina-and-harmonium backing for O The Wind And The Rain and the unusual use of slide-guitar on the Napoleon ballad). Rob Ruiz left and came back and Steve Lee left a job in music management to forge a career in - music management.